{"id":32556,"date":"2025-12-25T14:13:14","date_gmt":"2025-12-25T12:13:14","guid":{"rendered":"https:\/\/kvartiras.com\/?page_id=32556"},"modified":"2026-01-15T18:54:39","modified_gmt":"2026-01-15T16:54:39","slug":"feedbackexh","status":"publish","type":"page","link":"https:\/\/kvartiras.com\/en\/exh\/feedbackexh\/","title":{"rendered":"Feedback"},"content":{"rendered":"
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Dates:<\/strong> 5.01 - 31.01.2026, Mon\u2013Sun, 10:00-20:00<\/p>\n

Vernissage: January 5, Monday, from 19.00 to 21.00. Welcome drink, <\/strong>tour, meeting the artists.<\/em><\/b><\/p>\n

Admission is free.\u00a0<\/strong><\/p>\n

Venue:<\/strong> Moscow, ARTPLAY, Nizhnyaya Syromyatnicheskaya, 10, bldg. 3A (entrance via the British Higher School of Art and Design) or 3B, 2nd floor, Laboratoriya hall (next to the Peredvizhnik store)<\/a><\/span><\/p>\n

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PHOTOGRAPHS FROM THE OPENING<\/strong><\/span><\/a><\/p>\n

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EXHIBITION CATALOGUE<\/strong><\/a><\/span><\/p>\n

All works are available for purchase.\u00a0<\/strong><\/div>\n
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For all enquiries: info@kvartiras.com<\/div>\n
+7 900 222 0331, Telegram +7 925 113 4017<\/div>\n
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Participating artists: Marina Zhuravleva<\/b>, <\/b>Alexander Varganov, Yaroslav+Sinyslav, Stanislava Kirsanova, Ulyana Novak, Valeria Kozina, Anastasia Grushenkova, Artyom Ulyanovsky, Yulia Khishchenko, Elena Pavlichenko, Alexandra Reinskaya, Angelina Brintseva, Evgenia Mastyaeva, Katerina Vorontsova, Yulia Fadeeva, Nikolai Ermilov, Zhanna Azarova, Elena Vostretsova, Dmitry Smolyaninov, Tatyana Glukhova, Anna Martynova, Elena Lyapina, Andrey Evgenich, <\/b>Lada Sitner<\/b>, Alisa Belich, Elena Simonova, Elena Kolesnikova, Anastasia Makhmud, Evgenia Shvetsova, Olga Yarovinskaya.<\/b><\/p>\n<\/div>\n

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Following the results of an Open Call held in late 2025, Kvartira S Gallery, in collaboration with the ARTPLAY Design Center, presents the exhibition \u201cFeedback.\u201d<\/p>\n

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The new year begins with \u201cFeedback,\u201d an exhibition exploring how art shapes and sustains communication\u2014with audiences, context, time, and the self. The project focuses on a simple yet fundamental fact of artistic practice: no artist creates in a vacuum. Every work has an addressee, even if an implicit one, and exists in anticipation of a response: a gaze, an interpretation, a reaction, or sometimes disagreement. In some cases, this response becomes not a consequence of the work but its very purpose.<\/p>\n

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Elena Simonova \u201cA Mark on History\u201d<\/figcaption><\/figure>\n

The exhibition brings together artists for whom interaction with the viewer is not a secondary function but an integral part of their artistic method. It features works conceived as direct addresses to an audience; works transformed by viewers\u2019 responses; and projects assembled from messages, voices, and the digital traces of communication. An important place is also given to works in which silence, delay, or misunderstanding becomes a deliberate form of \u201cresponse.\u201d<\/p>\n

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\u201cFeedback\u201d considers art as a system of exchange\u2014not a monologue, but an encounter. It is within this encounter that a work comes alive, becoming a point of connection between people, experiences, and meanings. The exhibition invites viewers to see how this dialogue emerges, how it transforms the work, and how the work itself becomes an impetus for new connections.<\/i><\/p>\n<\/blockquote>\n

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Dmitry Smolyaninov Concrete Fence #1<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Dates: 5.01 – 31.01.2026, Mon\u2013Sun, 10:00-20:00 Vernissage: January 5, Monday, from 19.00 to 21.00. Welcome drink, tour, meeting the artists. Admission is free.\u00a0 Venue: Moscow, ARTPLAY, Nizhnyaya Syromyatnicheskaya, 10, bldg. 3A (entrance via the British Higher School of Art and Design) or 3B, 2nd floor, Laboratoriya hall (next to the Peredvizhnik store)   PHOTOGRAPHS FROM […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":5557,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32556","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/pages\/32556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/comments?post=32556"}],"version-history":[{"count":0,"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/pages\/32556\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/pages\/5557"}],"wp:attachment":[{"href":"https:\/\/kvartiras.com\/en\/wp-json\/wp\/v2\/media?parent=32556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}